Using interviews and filmed reconstructions, the director analyzes eroticism from the period of breastfeeding, in which the newborn feels pleasure from contact with the mother's breast until reaching adulthood.

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A sailor and his would-be bride search their train for a clergyman to marry them.

A man's shoe gets stuck under a car in a parking lot.

Ajay makes a tune which Madhu loves, but she doesn't know who the composer is. Sunil, a selfish brat, pretends to be the composer of the tune in order to woo Madhu.

First, about ten years ago, there was a text by Paule Marier. Then, René Lussier made a song from that text for his 2014 album (Toucher une âme). Jim Corcoran translated the text to English and recorded it for his CBC radio program, but instead he decided to send it to René Lussier suggesting that maybe he could do something new out of it. René created a new music over the recorded text and after listening to the finished sound track, the two decided that it would be good if there were images to it. This is how it finally ended up in my Drop Box and it gave birth to this film. Afterward, a French version of the film was made with the original French text.

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Katharine Hilliard, mousy dean of a stuffy music school, meets and is insulted by swing band leader Barry Clayton on a train. To "show" him she takes a friend's advice, removes her glasses, and puts on a designer gown. Naturally, she becomes gorgeous. Soon, both Barry and crooner Jimmy Hale are after her, and she finds herself in the midst of triangles and misunderstandings.

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